Check out these free windows themes images:

a theme park lunch


Image by pnoeric
speak about knuckle-y chicken… the Chinese have a taste for dark meat, fat and gristle that I do not share! the soup was fairly very good, however.

Creative Coffee Club


Image by tonyhall
It’s 10am on the 15th floor of St George’s Hotel. The wifi is free of charge and individuals haven’t yet arrived for the Creative Coffee Club’s meet. Soon Mike Atherton, Steve Lawson, and Lloyd Davis will speak of social networking, music, twitter (networking what-you are-performing), Twitterific, twhirl, twitpic ~~~~~~ tuttle (ICA Friday), seesmic (video blogging), nokia (phone), apple (personal computer), iPhone, folksonomy (collaborative tagging..), ~~~~~~~~~~ and the ripples carry on.

(5218) Creative Coffee Club, The Heights, St George’s Hotel, W1B 2QS, theme, improvement, social networking, studying, tuttle, twitter, folksonomy,
Another Photograph people,

Boston University: Marsh Plaza and Chapel


Image by wallyg
Marsh Plaza was dedicated in 1949, the culmination of the vision and persistence of Methodist minister, Daniel L. Marsh (School of Theology 1908), the fourth president of Boston University (1926-1950).

On May 16, 1975, Free of charge at Last, the soaring sculpture by Sergio Castillo was unveiled in memory of 1 of BU’s greatest’s alumni, Dr. Martin Luther King Jr. (GRS ’55, Hon. ’59) almost a decade prior to federal legislation designed Martin Luther King Jr. Day. The fifty doves flying in formation represent peace in all fifty states. The sculpture’s granite base is engraved with some of King’s well-known quotations on peace and equality. Campus legend says when a virgin student graduates, all the birds will fly away.

Marsh Chapel, built among 1939 and 1948 and dedicated in 1950, sits at the heart of the Boston University campus and serves the campus in two distinct techniques–housing the Office of the University Chaplain and the center for the Interdenominational Christian Ministries on campus. The inscription welcoming visitors to the chapel does not mention Jesus, and no cross was included in the sanctuary’s ornamentation. The foundation of the chapel consists of stones from Jesus College and St. John’s College, both at England’s Oxford University.

The Chapel, symbolizing a unifying force (and geographical center) amongst all the diverse elements forming the University is joined on one side to the College of Arts and Scienes, and on the other to the School of Theology. Modeled following the &quotOld Stump&quot, the cathedral of Boston England, a vision which was in no way realized.

The great windows in the Nave, designed by the famed Connick Associates of Boston in 1916, were moved from the old theology creating on Beacon Hill when Marsh Chapel was erected . Starting from the balcony and going counterclockwise, the 4 persons depicted from Hebrew scriptures are: Abraham, Moses, Elijah and Isaiah. In every single case there is a medallion at the bottom of each window, which pictures an important scene in the life of each. On the east side of the church are four figures from the New Testament: John the Baptist, Peter, Paul and John. On the west side are four leaders of the early church, Athanasius, Augustine, St. Francis of Assissi and Martin Luther. The Methodist heritage of the school is represented by John Wesley and Francis Asbury. Two 19th century leaders are identified pictured in the last window: Abraham Lincoln and Frances Willard, who was the dean at Northwestern University and 1 of the early and great leaders of the women’s movement.

The smaller windows have themes: On the east, great doors which have been important in the history of the Church are depicted. They are both ecumenical and interfaith. On the west are depicted towers which are component of our heritage. 1 of them, Christ Church College at Oxford, was the location the young Wesley was trained, and a stone from one more Oxford college is component of the cornerstone of our Chapel.

The statues in the reredos (the carved wooden screen) in front of the church were produced by Arcangelo Casieri. The 4 Gospel writers flank a statue of our Lord. The heads of Bach and Handel are carved into the newel posts at the entrance to the pulpit and lectern. The round rose window more than the altar is framed by the pipes of the rebuilt Cassavant organ.

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