by Conrad Petzsch-Kunze

Article by Fashiontipsforyou

In this year’s fall collection Marc Jacobs by Marc Jacobs, the designer looked to diverse visions of cartoonish femininity–from hourglass-waisted, peplum-hipped, pencil-skirted Dior-era sirens to sex-shop secretaries and dominatrixes–this latter source hinted at by the tufted white patent columns that lined the mirrored runway. Property of Harlot produced the show’s inventive rubber garments sheath dresses and skirts worked in fish-scale tiers that took the material to a new level of sophistication.

After last season’s hot outbreak of polka dots, Marc Jacobs has his spots sprouting petals for 2012. He took inspiration from 1960s wallpaper prints, and the fabric was sun-bleached to appear as if it had been stripped from the interior of a postwar living space. With its closed rubber pencil skirts, the rebellious, ladylike severity of fall gave way to a softer, a lot more innocent silhouette wasp-waisted strapless dresses and shorts suits were matched with ballet flats and athletic footwear that had satin ribbon for laces. There was, even so, an underlying rigor to the collection, and printed buttoned-up-to-the-best shirts came with epaulets which were fastened with military belts–1 radzimir silk dress in particular had the stitching of a parka jacket.

Marc Jacob’s collection had tremendous physique, achieved with stiffly bonded or double-face fabrics, rubber, or even lacquered alligator. When they weren’t molded-to-the-shapely-body–in silhouettes that evoked early Alaïa and even Gaultier–they had been substantially stand away like that of fifties Balenciaga.

While Marc Jacobs’s playfully austere main-line collection may have moved well away from the disco decadence of spring/summer, his youth-driven Marc Jacobs by Marc Jacobs collection was firmly footed in the sexy, sultry 1970s. That initial look on the catwalk stated it all: a blazing copper-gold leather blazer atop a rusty-metallic satin blouse, paired with herringbone trousers and lace-up oxfords. And the easy-breezy blown-out hair on the fresh-faced models wearing the luscious disco-by-day ensembles pushed an earthy-glam vision of perfection you couldn’t help but want to be a portion of. There was also an early 80s edge all through that was reminiscent of New York punk-rock heroine Blondie–and recommended a potential return to a much more strict 80s mod-rocking New York style for spring.

Given that these clothes will hit shops in time for the holiday season, that utilitarian undercurrent gives fascinating new possibilities for party girls seeking to reconsider their attempted-and-correct cocktail dresses. Appear past the sparkly sequins and laser-cut leather florals, and basically sweatshirts, button-downs, and t-shirts are the new building blocks for eveningwear, a casual mood that’s been brewing across the board because the fall collections. With his resort guidelines for party dressing in mind, throwing on a striped gray-marl sweater over a hot-pink dress adorned with delicate appliqué flowers could be the freshest way to celebrate.

When he dipped into his own archives for his fall show of a year ago, the outcomes were nostalgic and romantic. With its stride-defying hobble skirts and wedge-heel patent boots, this offering demands a small more commitment from the wearer. It was provocative and somehow much more precise, and all those slick surfaces had a challenging allure. Backstage, Jacobs talked about the discipline of fashion, pointing out the rigor of fitting 63 girls in one day. Disciplined is a great word for it. He had his uncomplicated fun last season, and now he’s prepared to get sweaty in a latex shirt buttoned up to his throat. Give the rest of us a few months and we’ll be appropriate there with him.

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